借古希腊酒神狄俄尼索斯之名，与生命的另一种辽阔不期而遇
2018/8/28 14:41:37郑轶 近似于透明的深蓝
作为策展人，我与“天猫奇妙研究所”与“轩尼诗Hennessy"合作了一个新媒体艺术展“酒神精神的复兴”，在北京的当代MOMA后山艺术空间。
后台一直有粉丝问我什么时候来北京做展览和活动，现在我来了：)
酒神精神的复兴
开启知觉之门，拥抱生活这场流动的盛宴
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主办方：天猫奇妙研究所
特邀策展人：郑轶
策展团队：好卖Creative Lab
艺术家：陈娱，胡帅，邱宇，田晓磊，吴博
联合呈现：后山艺术空间
展览时间: 8.28(二)- 9.2(日)
开幕活动: 8.28(二)20:00-23:00
展览场地：后山艺术空间-竹想空间
地址：北京市东城区香河园路1号当代MOMA艺术园区T8楼北侧(百老汇电影中心向北)
Dionysus is back —Open the doors of perception，embrace the flow of life
Special curator: Vanessa Zheng
Curation team: Haomai Creative Lab
Artists: Chen Yu, Shaun Hu, Qiu Yu, Tian Xiaolei, Wu Bo
Joint presentation：The Post Mountain Art Space
Exhibition duration: 8.28(Tue)- 9.2(Sun)
Opening party: 8.28(Tue) 20:00-23:00
Exhibition venue: The Post Mountain - Zhuxiang Space
Address: T8, North Area of Dangdai MOMA, 1 Xiangheyuan Road, Dongcheng District, Beijing, China
配图为布展花絮照片
酒神精神的复兴 Dionysus is back
开启知觉之门，拥抱生活这场流动的盛宴
策展人 郑轶
尼采(Nietzsche)在《悲剧的诞生》里，首次提出了日神精神(Apollonian)与酒神精神(Dionysian)这两个术语来解释了人性的二元矛盾。阿波罗(日神)原则讲求实事求是、理性和秩序，狄俄尼索斯(酒神)原则则赞美生活，拥抱生命的不确定性。
事实上在这个术语出现之前，“酒神精神”曾以不同的名字出现在几乎所有的文化与哲学里。在我们熟悉的道家哲学里，它是逍遥游的核心，而强调礼法的儒家则是“日神”的；在新世纪(New Age)理论里，日神说的是逻辑理性算法式的左脑，是代表小我(ego)的；而酒神精神是直觉情感感官知觉的右脑，代表高我意识(Higher-self)。
酒神精神如同我们今朝有酒今朝醉的魏晋风流，庄子信仰的超然物外的绝对自由，李白那种放浪形骸于外物之外的潇洒，巴黎“****金时代”波西米亚人的狂欢，它是艺术自由和美的圣三一。
用长远的目光去凝视人类整个的历史，仿佛就是一部日神精神与酒神精神交替主宰集体意识的时间线。那些典型的酒神时代如百家争鸣的春秋，魏晋，盛唐，民国，文艺复兴，60s的嬉皮年代…它们穿插在日神精神的理性秩序主题的时代之中，牵引维系着人性中这种二元平衡。
今天，这个科学绝对理性为主导的日神时代的尽头，量子物理与人工智能等科技发展为我们带来了一场呼之欲出的意识变革，AI正在缓慢渐进之中取代人类依靠头脑逻辑算法的工作，整个时代的列车前所未有地被种种不确定性迎头痛击。
于是，这种强调知觉与感受力的酒神精神的回归，成为了大势所趋与历史的必然。
酒神精神的复兴，唤醒着我们日渐麻木的感官，从头脑思维的禁锢里解放出来，放下评判、放下种种预设，打开那扇知觉之门，敞开心扉去拥抱未知，去感受去体验这一场流动着的生活的盛宴。
酒神精神是关于体验本身的，正如尼采借用了古希腊的酒神狄俄尼索斯之名。张开你的五感六觉，让彼此互相交织渗透，所有的感官信息最终在大脑的神经元里被转译成为一种无法诉诸语言的体验，我们的头脑也许无法理解它讲述它，可是我们的身体却能结结实实地感受到它--一朵夏日玫瑰的清香，秋天踩在落叶上的声响，一滴白兰地干邑落在舌尖上那轻微烧灼感伴随着浓烈的芬芳层次递进地晕染开去的滋味。
“体验”这个词语，说的原本就是调用我们身体所有的知觉去经历去感受。就像你听过一千个人形容过酒气氤氲，你也只能停留头脑里想象，可是当你亲自品尝的时候，第一滴液体沁入唇齿之间的时候，无需任何语言，刹那之间你就完全明白了。
我们可以分享各种知识信息，可是“体验”本身，却是除了亲身经历之外旁人无从取代的。正如生活本身，它是这瓶酒，它是一盒《阿甘正传》里说的巧克力--你永远不知道下一颗是什么味道，只有亲自去品尝它。
生活就像是一场不断收集各种经历的旅程，我们在消费生活，消费种种体验。每一种新的收获都是一份生命给你的礼物--拆开礼盒拥抱未知所带来的超级惊喜。
Life is so short , Don’t wait to experience great things.
艺术是用感官语言带来种种体验的载体，它的存在是为了培养人们对于生命的敏感，它是与我们身体的感知能力对话的过程。而新媒体艺术(Trans-Media art)带来了“觉”互相之间的自由，赋予了人们超越日常经验之外的感官体验，并牵引呼唤着我们内在的知觉力(Perception)形成真正的互动。它像极了我们身处的这个时代的隐喻：技术艺术化，而艺术技术化。科学与艺术不可避免地最终在此相遇，正如日神精神与酒神精神的这一场狭路相逢。
声光电在觥筹交错之间为我们构建了一个幻觉，如同我们的梦境--也许情节本身是荒诞的，可是我们体验到情绪本身却是真实的。
正如在消费升级的今天，日神原则的理性逐渐升级成为酒神精神式的场景体验，我们不再满足于理解物理层面上的功能材质，而是更希望能够直观体验到它所赋予我们的感受。一场艺术展览也如同是一段旅程，邀请你来到现场，在这个场域之中，一同穿越种种感官语言所交织的幻境，去触摸到真实的情绪体验，感受到它脉搏的振动频率。
天猫奇妙研究所在超级品牌日之时，在此邀请了五位优秀的青年新媒体艺术家：陈娱，胡帅，邱宇，田晓磊，吴博带着他们的影像声音以及装置作品来为你们编织这一段感官之旅。他们分别从听觉、视觉、触觉、嗅觉结合轩尼诗干邑的味觉一起，最后抵达人们内心深处的知觉，从酒开始说起，讲述了一个有关于这个时代酒神精神回归与复兴的故事，一个象征着生活本身就是一场不断收获各种体验的故事。
五位艺术家们分别从各自不同的视角出发，用新媒体这门结合了技术与艺术的语言，带领大家穿越这个旅程。就仿佛也隐喻了轩尼诗酿造的酒神精神，当一门技艺登峰造极的时候，必然成为一种艺术。
历史上所有“酒神精神”为标志的年代，都是一个百家争鸣多元价值多元生活方式并立的时代。事实上这意味着当我们挣脱了头脑思维的禁锢，就开启了看待这个世界的多元视角，接纳生命的辽阔，格局与视野也就此豁然开朗。
而一段体验，无论是生活还是品尝一杯白兰地都有如一趟旅程：回来的那个你和出发的时候已经不再是同一个人了，因为有一些东西因着体验而悄然改变，说到底，是你看待事物的视角发生了变化。
艺术展览也有如一场旅行，感谢诸位来到这里，在开启这趟旅程的时候，温馨提醒本次展览的正确打开方式：放下一切的期待与预设，放下评判与头脑思维，去体验，去感受。
Cheers ! To life!
Dionysus Is Back
“Open the doors of perception, and embrace the flow of life.”
By Curator Vanessa Zheng
It was in “The Birth of Tragedy” that Friedrich Nietzsche used for the first time the terms “Apollonian” and “Dionysian” in relation to explain the dualistic contradiction of human nature. The principle of “Apollonia****” **** ****bout being pragmatic, rational and orderly; as the opposite “Dionysian” is to praise and embrace the uncertainty of life.
In fact, before these two words were used by Nietzsche, the concepts and philosophies behind “Dionysian” and “Apollonian” had appeared in almost all kinds of cultures and schools of thought, simply called with different names.
In Chinese cultural history, Daoism it’s the essence of “The Happy Excursion”, and the Confucian school of thought is what can be paralleled to the term “Apollonian”; while in the New Age Theory, “Dionysian” represents the higher state of consciousness which goes beyond our “Ego”.
The Dionysian spirit shares many similarities with the WeiJing dynasty’s attitude——Enjoy the wine today, live for today. Very much like the “Absolute Freedom” which C**** Tzu talked about, similarly to the unrestrained bohemian artists, it is represents the holy trinity of Art, Liberty and Beauty.
If we observe the entire history of mankind with a bigger scope, to see the big picture, it resembles a timeline of collective consciousness dominated by “Apollonian” and “Dionysian” in constant change. Typical “Dionysian” eras can be found in times such as the ChunQiu, Weijing, Tang, and Minguo Dynasties of China, The Renaissance Movement of Europe, and the global Hippie movement in the 60s’. They interludes between “Dionysian” and “Apollonian” driven eras are what maintains the dual balance in human nature and its ever ending cycle.
Today, at the end of an Apollonian era, which is dominated by the absolute rationalism of science and technology, the advancements in the quantum physics and artificial intelligence fields has brought us towards an upcoming consciousness transformation. The train of the whole current era will have to deal with a head-on blow of an unprecedented number of uncertainties.
Therefore: “Dionysian is Back”. It is time for a calling to emphasize perception and sensibility. It is the inevitable cyclic nature of history.
The revival of the “Dionysian” spirit awakens our numb senses, frees us from the prison of our brain, drops off all kinds of judgments, erases prejudices; opens the doors of perception, to embrace the unknown, to feel, to experience the flow of life.
The “Dionysian” spirit is all about “experiencing” itself. Live relying on your perceptions and allow all the senses to interweave and interact with each other. All the sensory information will be interpreted by our neural network and outputted into an unspoken feeling. Our brains probably cannot fully understand or speak about it, but our physical body can truly sense it——the fragrance of a summer rose, the sound of stepping on autumn leaves, a drop of brandy cognac landing on your tongue and rendering progressively the burn with a strong aroma.
The word “experience” in Chinese means “to feel by your body”, and in relation to talking about the physical experience——going through it by feeling first hand, touching with the reality of your perception. Just like you have heard thousands of people describing the taste of wine, but it would only get stuck in your imagination. For once, if have you ever tasted it by yourself, the first drop, without words, and then suddenly you will understand.
We could share all kinds of knowledge and information, but “the experience” is something that nobody can replace or share, you have to do it by yourself.
Life is very much like a bottle of brandy, or a box of chocolate ——as the movie "Forrest Gump” says, you will never know how it will taste like, unless you try it.
北京东直门地铁站关于此次展览的广告
Life is a journey, where we collect all kinds of experiences along the way, and as we’re going, we’re consuming life, consuming experiences. Everything we gain is like a gift, so just open the box and embrace the surprise of unknown.
Life is short; do not wait to experience great things.
Art is the carrier of all kinds of experiences that are absorbed by sensory languages. Its mission is to cultivate the sensitivity of life, a process of developing a conversation with our inner perceptions.
Trans-media arts brought the freedom of sensory transformation and offer people extra sensory experiences beyond our daily life by interacting with our inner perception. It’s very much like the metaphor of our current age: art becomes more scientific and science and technology become more artistic. Art, science and technology inevitably meet here, just as the destiny of the “Apollonian” and the “Dionysian”.
Sound, light, new media art creates an illusion in the midst of intertwining, as in a dream state ——in the dream, all the stories probably appear very absurd and abstract, but the emotion, the feeling we have perceive is very real.
Today, the concept of consumption has been upgraded; the “Apollonian”-like rational consumption has became a Dionysian-like idea, which we can call “scene experience”. We’re no longer satisfied by spending money on a purely material level, but we would much rather spend money going for experience. An art exhibition is like a journey as well. It invites people come to the scene, an energy field, a fantasyland created by all kinds of sensory languages, to touch the real emotional experience, to feel the vibration of its pulse.
Tmall Fantasy Lab invites 5 outstanding young new media artists: Chen Yu, Shaun Hu, Qiu Yu, Tian Xiaolei and Wu Bo, and they will compose a fantastic perceptional journey for you with their trans-media installations. Audio, visual, touches, olfactory, together with the taste of Hennessy cognac, will make you finally reach your inner perceptions. Started from wine, it’s a story about the revival of “Dionysian” in our era, a symbolic story about life——a collection of all kinds of experiences.
5 artists as story tellers from their own perspective, with the mean of new media arts combining “art” and “technology”, will lead you step by step along the path. A metaphor of the brewing concept of Hennessy ——when technology develops to the extreme, it becomes an art.
All the “Dionysian” ages of our history, are the blooming times of diversity: with various values and lifestyles springing everywhere. When we free our minds, we will wilder our perspective in which we look at the world and embrace the vastness of life locating ourselves on a big map.
And all kinds of experiences, whether our lives or tasting a cup of brandy, are like a journey: the one that returns, will never be the same person as the one who departed: there is something changed, in the perspective in which we see things
This art exhibitio**** **** ****lso like a journey. Thank you for coming here. Before you venture on your journey, here are just some warm tips: let go of all your judgments and thinking, drop off all your expectations and prejudices. Simply experience and feel.
Cheers! To life!
艺术家以及作品介绍
陈娱
《酒狂》
气味互动装置
盛满酒的容器，随着观众走动的位置变化，会有不同的频率振动，进而迸溅酒液，酒的香气也会随之飘散。在这个作品里，观众成为这首当代《酒狂》的演奏者，用自身引发的能量震频直接与“酒”产生关联，形成嗅觉的感官体验。
Seven containers , as metaphor of drinking vessels,are filled with wine and the movement of audience will trigger the eruption ofliquid and make sounds; after which, the wine bouquet will disperse in the air.
It invites audience to become a player of the modern adaptation of “Methomania”, purposing to connect people’s vibe with wine andform it into an olfactory sensory experience.
艺术家往期作品
胡帅
《将进酒》
互联网实时数字装置
万物都是互相关联的一个整体，将互联网生活数据作为蒸馏变量，进行特定的算法分析，最终以酒的形式滴入轩尼诗的酒瓶里。也许这个用生活酿出来的酒会格外香醇。
Here is a coherent set of devices, which collectsreal-time life data from the internet.The installation will analyze and process thecollected data with a specific algorithm, in order to affect the physicalvariables of the whole distillation. The final result will be shaped by theprocessing of the data and will be in the form of a wine drop, into a bottle ofHennessy.
此为作品局部图
邱宇
《觉》
影像互动装置
酒后的自己似乎都是真实的，那生活中的自己呢？在这个作品中，借由影像与酒，观众可以以一个旁观者的身份重新审视这部以自己为主角的生活盛宴。
This artwork will bring the audience back to lifeitself. Everyone plays the role of themselves in their own lives. Observing one’s-selfwith the awareness of a spectator and gazing at life again, directly, is acommon point in all kinds of cultures and philosophies.
艺术家往期作品
田晓磊
《神话》
视频装置
神殿仪式般的精神性场域，赛博格朋克的冲突感画面，像是要瓦解人们依赖头脑思考的意识状态一样，这部作品会让观众进入感知的精神疆域，体验超越自我的神圣氛围。
At “Mythology” you will enter a spiritual space; a modern temple filled with a sense ofritual.
Here we should renounce to attempting to analyze andthink; simply enter the world behind the doors of perception, to experience thesacred atmosphere of transcending one’s-self.
此为作品局部图
吴博
《拟把疏狂图一醉》
声音互动装置
这个作品用声色光影构建了一个与现实平行的维度，邀请观众参与其中，观众将被沉浸式的环绕声场所包围，在烟雾与激光所交织渗透的迷幻光影之中进入一段知觉之旅。
This artwork is composed by 150 speakers and 40 laserlights, which together build a parallel dimension to reality and tries tosimulate the sensory experience of being “dizzy afterdrinking alcohol” using an audio-visual language.
Inviting you to participate by sitting on a cushion,which will trigger the artwork and you will be surrounded by an immersive soundfield and lighting installations. The constant stimulation of your neural networkwill give you the feeling of traveling to somewhere else.
艺术家往期作品
我们的开幕酒会与众不同地是本身就是一个切合主题关于体验本身、拥抱未知的行为艺术现场，结合了味觉与视听感官的沉浸式体验，所有来到现场的观众都将成为作品的一部分。
开幕作品
《Anonymity 匿名》
行为艺术 + 视听现场
Performance + Audiovisual Live
这个作品邀请观众参与其中去体验“Jump in the dark “：桌上匿名的杯子里有着各种不同的饮料，你永远不知道下一杯会是什么味道, 将与什么情绪体验相遇。让我们拥抱未知，期待舌尖上的超级惊喜。
味觉在这里与艺术家现场演出的视觉、听觉互相交织，成为一场沉浸式的感官体验，一场日常生活轨迹之外的奇遇。
This art piece invites the audience to participate and to experience the "jump in the dark". Inviting you to drink from an anonymous cup, an anonymous drink.
You will never know how does it taste, what emotions and experiences it will bring you, unless you give a try to the “unknown”, and meet the surprise on your own.
Here. Taste. Live. Together with an audio and visual live performance, it becomes an immersive perceptional experience representing the risks we most of the time don't take.
艺术家 Artist :
Tom Homberger
瑞士电子音乐人以及新媒体艺术家
多年以来他的演出遍布全球五大洲。搬到中国之后，他主动开展了一系列的音乐项目，进行渐进声音与迷幻音乐的探索，如个人项目 "One-Two"以及组合 "Spirit & the Guide” 与 “Sci-flyers”等。他也是“Masters of the Underground”的创始人之一，致力于向年轻一代传播电子文化与艺术，带来灵感启发与知识。
Tom Homberger
Swiss electronic musician and new media artist.
Throughout the years this passion has taken him to perform on stages across the 5 continents.
After moving to China he initiated several music projects. Such as solo project "One-Two" , collective "Spirit & the Guide” and “Sci-flyers” for progressive sounds and psychedelic music
One of the funders of the project "Masters of the Underground", a concept developed with like-minded people to promote the electronic culture to the newer generations, bringing inspiration and knowledge to those willing to discover it.
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郑轶
策展人，新媒体艺术家。嬉皮风格的旅行者.从事影像创作(摄影&Video)，Audiovisual arts(Visuals & DJ) 以及写作。曾游学欧洲多年，毕业于意大利博洛尼亚大学艺术管理专业，曾在奥地利维也纳从事Audiovisual arts.
热衷于研究社会学人类学心理学以及跨文化跨学科研究，致力于研究基于人类学萨满文化与认知神经科学的艺术治愈理论的研究。在各种大学里把理工科文科艺术科以及经济管理都学了一遍，是个书呆子气十足的技术宅，立志当一个呆萌的学霸。
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